Trauma and Talent

Every protagonist I have written carries both. Craig Anderson in SEER. Alan Charms in Black Water. Significant gifts. Significant wounds. The two living together in the same person and the wounds making it difficult to access the gifts. That is not a formula I chose consciously. It is a pattern that keeps emerging because I...

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The Mentor Figure

Richard Kinson shows up in SEER as Craig Anderson’s mentor. He is older. Established. He sees something in Craig that Craig cannot see in himself. He does not push. He illuminates. He holds up a mirror and lets Craig come to his own conclusions about what he is looking at. He is the presence in...

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Symbolism As Preaching

I do not want to preach at my reader. I want to tell them a story that does the preaching for me. There is a significant difference between those two things and the difference is everything when it comes to whether a reader finishes the book or puts it down halfway through. Frank Peretti understood...

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Why I Write Christian Supernatural Fiction

The genre does not get the respect it deserves. Christian supernatural fiction lives in a strange position in the literary world. Too spiritual for the secular market. Too fantastical for the readers who want straight theology. Not edgy enough for the horror crowd. Not literary enough for the prestige fiction crowd. It exists in a...

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Camille

Camille is not easy to explain without giving too much away. She exists in the spiritual world of Black Water as an entity with real power and real presence. She is not a background character. She is not a device. She is a force in the story with her own will and her own relationship...

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Alan Charms

Let me tell you about Alan Charms. He is the lead character of Black Water and the person I will be spending a significant portion of my creative life with. He is not a simple man. He was not designed to be. Alan carries trauma. Real, specific, unresolved trauma that has shaped every decision he...

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What I Made My Own

Borrowing from writers you admire is not theft. It is how craft develops. Every writer builds on what came before. Peretti built on C.S. Lewis and Walter Wangerin and the tradition of Christian fantastic literature that preceded him. Dekker built on Peretti. I built on all three. That is not a confession of weakness. It...

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What I Took From Dekker

Ted Dekker gave me three things I use every time I sit down to write. The first is the double world. Two realities running simultaneously. One modern and grounded. One ancient and elemental. A character caught between them whose experience in one affects what happens in the other. I talked about this earlier in this...

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What I Took From Peretti

Frank Peretti gave me a specific gift that I have never put down. He showed me how to make the invisible world feel physical. In This Present Darkness the spiritual realm is not abstract. It is not a theological concept floating somewhere above the story. It is a place with texture and weight and consequence....

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The Day I Stopped Performing for God

For a long time I was very good at being Christian. I knew the language. I knew the posture. I knew what a man of faith was supposed to sound like in a room full of believers and I could deliver it without effort. Hands raised at the right moment. Amen at the right volume....

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